Anastasia

Show Synopsis - Anastasia

Act One

In 1927, Gleb Vaganov, a general for the Bolsheviks, who now control Russia, announces to the gloomy Russians that the now-poor Saint Petersburg has been renamed Leningrad, and he promises a bright and peaceful future. The Russians protest this change, but are then uplifted by a rumor that Anastasia may have survived and escaped the royal family's execution. Two wanted con men, the handsome young Dmitry and an ex-member of the Imperial Court, Vlad Popov, hear the rumors and brainstorm "the biggest con in history": they will groom a naive girl to become Anastasia in order to extract money from the Dowager Empress ("A Rumor in St. Petersburg").

Dmitri and Vlad hold unsuccessful auditions for the scheme at the theater in the abandoned Yusupov Palace. Just as they are about to give up hope of finding a suitable impostor, a street sweeper named Anya walks in to ask Dmitry about paperwork to get tickets for Paris. Dmitry and Vlad become fascinated as Anya explains that she doesn't remember who she is due to her amnesia and has very few memories of her past ("In My Dreams"). Amazed by her memory loss and resemblance to Anastasia, they select Anya as their impostor.

At the capital, government workers sort through rumors and reports for any that require further action. Three bitter actresses report Anya, Dmitry, and Vlad's plot to Gleb, but he dismisses them and files a case for Anya ("The Rumors Never End"). Back at the palace, Vlad and Dmitry groom a feisty Anya to become Anastasia through history, dining, and dancing lessons ("Learn to Do It").

Gleb orders Anya's arrest, and she is brought to his office in the Nevsky Prospect. The general interrogates the girl and warns her about the consequences of pretending to be Anastasia. He tries to convince her that Anastasia is really dead. He reveals that his father was one of the soldiers who shot the Romanovs and, as a boy, Gleb heard the gunshots and the family's screams. However, Gleb notices that Anya has the "Romanov eyes" and realizes that Anya could indeed be Anastasia. As he harbors feelings for her, he lets her off with a warning ("The Neva Flows").

Anya reunites with Dmitry and they are teased and attacked by his old con partners, whom they must fight off ("The Neva Flows Reprise"). Impressed by Anya's fighting skills, Dmitry opens up to her for the first time and tells her about his childhood in the streets of St. Petersburg and how he had to take care of himself as an orphan ("My Petersburg"). Dmitry begins to trust her enough to show her a music box that he's failed to open, unaware it is the memento that it had been given to Anastasia by the Dowager Empress. Anya easily winds and opens the box and begins to vaguely remember her past, including an imperial ball many years earlier ("Once Upon a December"). After this episode, Anya is more resolute than ever in her desire to get to Paris, but Dmitry tells her that they don't have enough money to buy the train tickets. Then she gives him her most prized possession, a diamond that was found sewn to her dress when she was discovered years earlier ("A Secret She Kept").

At the train station, Count Ipolitov recognizes Anya as Anastasia and kisses her hand. As they board the train to Paris, Count Ipolitov leads everyone in a prayer of farewell to Russia ("Stay, I Pray You"). During the train ride, Anya, Dmitry, and Vlad reflect on what they hope to accomplish in Paris: Anya hoping to discover that she is actually Anastasia, Dmitry's desire for the money, and Vlad hoping to win back Countess Lily Malevsky-Malevitch ("Sophie" in the 1997 animated film), the Dowager Empress's lady-in-waiting with whom he had an affair ("We'll Go From There"). Count Ipolitov is fatally shot by the police for illegally boarding the train. The police officers then go after Anya, Dmitry, and Vlad since they are wanted criminals in Russia, but they all jump off the train, narrowly avoiding capture.

As they travel across Russia by foot, Gleb receives orders to follow Anya and kill her if she is the real Anastasia ("Traveling Sequence"). Gleb agrees to the task, but he realizes that he is in love with Anya and questions his heart ("Still"). Anya, Vlad, and Dmitry finally arrive in France, and as they travel to Paris, Anya summons the courage to continue on with the hope that she will finally discover who she is ("Journey to the Past").

Act Two

Anya, Vlad, and Dmitry arrive in Paris and are swept up by the sights and sounds of the city ("Paris Holds the Key (to Your Heart)"). When Vlad and Dmitry go off on their own, Anya visits the Pont Alexandre III bridge, named after Anastasia's grandfather, and she feels a strong connection to it ("Crossing a Bridge").

Now a bitter, elderly woman, Dowager Empress Marie Feodorovna reads the letters from various women claiming to be Anastasia and, heartbroken, gives up hope of finding Anastasia ("Close the Door"). As Gleb arrives in Paris, Lily parties at the Neva Club, where rich and noble Russians exiles reminisce about the old Russia ("Land of Yesterday"). Lily is reunited with Vlad, with whom she is angry for stealing her jewelry when they were lovers. The two rekindle their scandalous romance and Vlad convinces her to let Anya meet the Dowager Empress at the ballet the next week ("The Countess and the Common Man"). However, Vlad accidentally drops the ballet tickets and Gleb, overhearing their plans, picks up their tickets ("Land of Yesterday Reprise").

At the hotel, Anya has a nightmare about the execution of the Romanovs ("A Nightmare"). Dmitry comforts her and recounts a story of how he bowed to Anastasia at a parade as a young boy. Anya vividly remembers this, and the two realize that Anya is indeed the Grand Duchess Anastasia ("In a Crowd of Thousands").

At the ballet, Vlad suspects that Anya and Dmitry are falling in love and is heartbroken on their behalf that the two can never be together ("Meant to Be"). During the performance of Swan Lake, Anya sees the Dowager Empress and remembers her. The Dowager Empress also sees Anya and recognizes her, but clings to denial. Dmitry and Gleb (who is conflicted about whether or not to shoot Anya) reflect on their romantic feelings ("Quartet at the Ballet").

After the ballet, Lily also recognizes Anya as Anastasia and immediately takes her to the Dowager Empress. Dmitry is anxious about the meeting and realizes that he is in love with Anya, but knows he must let her go to her family ("Everything to Win"). Anya leaves the meeting enraged, having learned from the Dowager Empress that Vlad and Dmitry intended to use her in their scheme for money. As she storms off, Dmitry waits for the Dowager Empress. Marie coldly dismisses him, but Dmitry disrespectfully stops her. He begs her to see Anya, but she refuses again.

Back at the hotel, Anya begins to pack, but she is interrupted by the Dowager Empress who, impressed by Dmitry's courage, has come to give her an opportunity. Anya is shocked by the Dowager Empress's cruelty, asserting that she isn't the nana that Anya remembered. The Dowager Empress angrily questions Anya about her past and the Romanov family, but Anya compels her to reflect on the person she has become over last two decades. Anya suddenly remembers the night that the Dowager Empress left her for Paris. When Anya produces the music box and sings the lullaby, the Dowager Empress finally realizes that Anya really is Anastasia and the two embrace, now reunited after twenty years ("Once Upon a December Reprise").

A press conference is held the next morning, where Vlad and Lily try to fend off the hungry reporters ("The Press Conference"). Before appearing in public, the Dowager Empress tells Anya that Dmitry did not take the reward after all and reveals her respect for him. Anya expresses misgivings about her future life as a princess and the Dowager Empress insists that no matter what she chooses, they'll always be together. Anya runs off to think; she realizes that she is in love with Dmitry, and decides that she must go after him ("Everything to Win Reprise"). As she turns to leave, Anya sees that Gleb has slipped in and locked them in the room. She realizes why he is there and Gleb says that he must kill her to complete his father's mission. Anya now clearly remembers the day her family was killed and, without fear, taunts him to kill her so that she can be with her family. Overcome with emotion and not willing to bear the shame of his father, Gleb is unable to kill Anya ("Still/The Neva Flows Reprise"). Anya comforts Gleb and they call a truce.

Vlad, Lily, and the palace staff search for Anya and the Dowager Empress is joyful, knowing that Anya is now where she belongs. She and Gleb announce to their people that the rumors of Anastasia will now cease; the reward for finding her will be donated to charity. Anya discovers Dmitry at Pont Alexandre III, where they embrace. The couple leaves Paris as the spirits of the Romanovs celebrate the life that Anya and Dmitry will have together ("Finale").

Phil Johnson

Mr. Johnson joined the Brighton Musical Theater Creative Team in 2012. He has conducted the orchestra and prepared the chorus for each of the past 11 shows. He is proud to share recognition for “Excellence in Music Direction” with the 2023 BMT team for Guys and Dolls, presented by the Sutton Foster Awards. Phil has conducted Brighton High School choirs at Michigan Youth Arts Festival/All State Festival multiple times. He is a 3-time State Honors Choir Director.  Mr. Johnson received nominations for the 2019, 2022 and 2025 Teacher of the Year through the Michigan School Vocal Music Association. He and his wife, Dianne, have three children, Ethan, Maxwell and Adeline, who enjoy family trips in their RV. Ethan is a member of the chorus of Anastasia, right on schedule. Adeline is overachieving and playing “Little Anastasia” a few years earlier than expected. When not making music in the BCPA, PJ coaches Max’s 6th grade flag football team. Mr. Johnson would like to thank the cast, crew, orchestra, parent volunteers, and creative team for taking us from Russia to Paris! Always remember: it’s never too late to come home!

Michelle Holowicki

Michelle has been privileged to teach Social Studies at BHS since 2006 and is also currently teaching Performing Arts. Mrs. Holowicki has a passion for U.S. history, government, economics and for musicals and dancing. She co-directed and choreographed thirteen Brighton Musical productions, including Footloose, Bye Bye Birdie, Legally Blonde, Disney’s Beauty and the Beast, Grease, Nice Work If You Can Get It, White Christmas, Honeymoon in Vegas, Pippin, Newsies, Cinderella, High School Musical and the Broadway Musical Revue. She and her husband Josh are the proud parents of their daughter Ellery (almost 6), and son Jeremiah (3), who have also taken a liking to Anastasia and other musicals. She is grateful to God for infinite blessings and answers to prayer, her imaginative husband Josh for his contributions to the program, and the Creative Team for going above and beyond! She would like to congratulate the cast, crew and all production teams for their hard work, vision, energy and expertise! When she first started working with this program in 2008, never in her wildest dreams did she think she’d still be part of this  Creative Team 15 seasons later!  So thankful for this dream-team and our collective journey to imagine, inspire, and create.

Josh Holowicki

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Josh’s passion for theater has brought him to the BCPA for his 15th show with the Brighton High School Musical Theater Program. He has over 20 years of lighting and scenic design experience, has designed numerous Audio, Video and Lighting systems globally, and has learned from or worked directly with top lighting designers, including Tony Award winner Ken Billington, Tony Fransen and more. Josh founder and President of E2i Design, a lighting, audio, and video design firm based here in Brighton. Josh also serves as Chairman of the Board of Directors for the Brighton Center for Performing Arts. He would like to thank all of the hard working volunteer parents who have made this show a success; without you we could not pull this off. He would also like to thank the cast and student production team members for their tireless dedication to excellence; it’s never easy but always worth it! Additionally, he would like to thank his fellow Creative Team members for their unbelievable investment of time, talent, and energy to bring something unique and special to the BCPA stage! Lastly, and most importantly, he would like to give a BIG shout out to his wife Michelle whose commitment to this program is unlike anything he has ever seen in professional theater. Cheers to 15 incredible years!

Kristine Stuenkel

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Kristine has a Bachelor of Fine Arts from Western Michigan University and has been working in theater for over 15 years as a designer and producer. She has designed costumes for Brighton High School’s Cinderella, Newsies, Pippin, Robin Hood, Honeymoon in Vegas, White Christmas, Nice Work If You Can Get It, Grease, Beauty and the Beast, Alice in Wonderland, Wizard of Oz and Guys and Dolls and High School Musical. Other credits include The Little Mermaid, Peter Pan and Seussical for Encore Youth Theater; Hunchback of Notre Dame, Oklahoma!, Clue and Sherlock Holmes for Hartland High School. Kristine has been acting as producer for Brighton Musical since 2021 and also co-directs BHS Dramatic Arts alongside her dear friend Sonja Marquis, producing Mutually Assured Destruction, Peter and The Starcatcher, Radium Girls and The Somewhat True Tale of Robin Hood. Special thanks to her creative team friends who have encouraged her when she felt pushed out of her comfort zone. She is extremely thankful for their obvious talents but even more so for their kind and supportive hearts and an environment that fosters not only creativity but growth and challenge. She is also grateful for the gift of mentoring the students who keep her heart full and her mind open. It truly is a gift to see them fly!

Sonja Marquis

Sonja is a professional actor, director, and sound designer. Credits include: Purple Rose Theatre Company, Tipping Point Theatre, The Dio, Flint Repertory Theatre, Williamston Theatre, Encore Musical Theatre Company, Detroit Public Theatre, and Detroit’s Music Hall. This summer, Sonja is thrilled to add the Geva Theatre in New York to her list of venues, where she will be reprising one of her favorite roles, Louise, in Always…Patsy Cline. She was honored to receive a Best Actress Wilde Award for her portrayal of Louise in 2022. Other awards include Wilde Award wins for Best Sound Design (Driving Miss Daisy); Best Theatre for Young Audiences (Charlotte’s Web, Director); Best Supporting Actress in a Musical (Rosie in Mamma Mia and Betty in The Great American Trailer Park Musical); and Best Lead Actress (Florence Foster Jenkins in Souvenir). In addition to her work on stage and behind the scenes, she is currently a Lecturer with Oakland University’s Department of Theatre and has worked with young artists of all ages as a theater instructor, playwright, mentor, and director. She is grateful to have been a part of this incredible Creative Team since 2019, and to have partnered with Kristine Stuenkel since 2022 to direct BHS Dramatic Arts productions. Sonja loves this team, is grateful for the program’s incredible volunteers, and adores these creative, goofy, kind-hearted, amazing students. She thanks them for filling her cup and hopes their high school theater experiences inspire them to continue to create, explore, and support the arts!

Bella Rabold

Bella is a Brighton Musical alumni. With six years of competitive dance and four years of musical theater under her belt, she is elated to have the opportunity to help choreograph this show. Bella was on stage for multiple productions during her high school career, including Honeymoon in Vegas, Pippin, Newsies and Cinderella. She began working behind the scenes on The Wizard of Oz as assistant choreographer. She went on to choreograph Guys and Dolls and then High School Musical last year. Bella will graduate Eastern Michigan University this spring, earning her Bachelor's in Secondary Education, English Language and Literature, with a minor in Teaching Psychology. She would like to thank her fellow directors for the opportunity to be a part of this production, and for being such a creative, collaborative team! She would also like to thank the cast of Anastasia for continuously inspiring her as a creator, an educator, and a person–she is so proud of each and every one of them.